O Festival de Veneza acaba de anunciar o seu alinhamento para este ano, e conforme se especulava, saiu-se com um lote que em teoria será tão ou mais forte de filmes como a edição deste ano de Cannes.
Para começar, temos as estreias mundiais do misterioso “mother!” de Darren Aronofsky (ainda sem um trailer oficial online a menos de dois meses da estreia, contando apenas com um teaser áudio a ser mostrado em cinemas selecionados), “Suburbicon” de George Clooney, “Downsizing” de Alexander Payne (filme de abertura do certame) e “The Shape of Water” de Guillermo Del Toro – todos estes em competição oficial, todos estes também com presença em Toronto.
O festival conseguiu também caçar para a sua competição “Mektoub, My Love: Canto Uno” de Abdellatif Kechiche (A Vida de Adéle) e “Lean on Pete” de Andrew Haigh (45 Years).
O festival decorrerá de 30 de agosto a 9 de setembro. Abaixo segue-se então o alinhamento completo desta edição:
VENICE FILM FESTIVAL — IN COMPETITION
“Human Flow,” Ai Weiwei (Germany, U.S.)
“mother!”, Darren Aronofsky (U.S.)
“Suburbicon,” George Clooney (U.S.)
“The Shape Of Water,” Guillermo Del Toro (U.S.)
“L’Insulte,” Ziad Doueiri (France, Lebanon)
“La Villa,” Robert Guediguian (France)
“Lean on Pete,” Andrew Haigh (U.K.)
“Mektoub, My Love: Canto Uno,” Abdellatif Kechiche (France)
“The Third Murder,” Koreada Hirkazu (Japan)
“Jusqu’a La Garde,” Xavier Legrand (France)
“Amore e Malavita,” Manetto Bros. (Italy)
“Three Billboards Outside Ebbing, Missouri” (U.K.)
“Hannah,” Andrea Pallaoro (Italy, Belgium, France)
“Downsizing,” Alexander Payne (U.S.)
“Angels Wear White,” Vivian Qu (China, France)
“Una Famiglia,” Sebastiano Risio (Italy)
“First Reformed,” Paul Schrader (U.S.)
“Sweet Country,” Warwick Thornton (Australia)
“The Leisure Seeker,” Paolo Virzì (Italy)
“Ex Libris – The New York Public Library, Frederick Wiseman (U.S.)
OUT OF COMPETITION
Special Events
“Casa D’Altri,” Gianni Amelio (Italy)
“Michael Jackson’s ‘Thriller’ 3D,” John Landis (U.S)
“Making of Michael Jackson’s ‘Thriller,’” Jerry Kramer (U.S.)
FICTION
“Our Souls at Night,” Ritesh Batra (U.S.)
“Il Signor Rotopeter,” Antonietta De Lillo (Italy)
“Victoria and Abdul,” Stephen Frears (U.K.)
“La Melodie,” Rachid Hami (France)
“Outrage Coda,” Takeshi Kitano (Japan)
“Loving Pablo,” Fernando Leon De Aranoa (Spain)
“Zama,” Lucrecia Martel (Argentina, Brazil)
“Wormwood,” Errol Morris (U.S.)
“Diva!”, Francesco Patierno (Italy)
“La Fidele,” Michael R. Roskam (Belgium, France, Netherlands)
“The Private Life of a Modern Woman,” James Toback (U.S.)
“Brawl in Cell Block 99,” S. Craig Zahler (U.S.)
NON-FICTION
“Cuba and the Cameraman,” Jon Albert (U.S.)
“My Generation,” David Batty (U.K)
“The Devil and Father Amorth,” William Friedkin (U.S.)
“This Is Congo,” Daniel McCabe (Congo)
“Ryuichi Sakamoto: Coda,” Stephen Nomura Schible (U.S., Japan)
“Jim & Andy: The Great Beyond. The Story of Jim Carrey, Andy Kaufman, and Tony Clifton,” Chris Smith (U.S.)
“Happy Winter,” Giovanni Totaro (Italy)
HORIZONS
“Disappearance,” Ali Asgari (Iran, Qatar)
“Especes Menaces,” Gilles Bourdos (France, Belgium)
“The Rape of Recy Taylor,” Nancy Buirski (U.S.)
“Caniba,” Lucian Castaing-Taylor, Verena Paravel (France)
“Les Bienheureux,” Sofia Djama (France, Belgium)
“Marvin,” Anne Fontaine (France)
“Invisibile,” Pablo Giorgelli (Argentina, Brazil, Uruguay, Germany)
“Brutti e Cattivi,” Cosimo Gomez (Italy, France)
“The Cousin,” Tzahi Grad (Israel)
“Reparer les vivants,” Katell Quillevere (France, Belgium)
“The Testament,” Amichai Greenberg (Israel, Austria)
“No Date, No Signature,” Vahid Jalilvand (Iran)
“Los Versos Del Olvido,” Alireza Khatami (France, Germany, Netherlands, Chile)
“Nico, 1988,” Susanna Nicchiarelli (Italy)
“Krieg,” Rick Ostermann, Barbara Auer (Germany)
“West of Sunshine,” Jason Raftopoulos (Australia)
“Gotta Cenerentola,” Alessandro Rak, Ivan Cappiello, Marino Guarnieri, Dario Sansone (Italy)
“Under The Tree,” Hafsteinn Gunnar Sigurdsson (Iceland, Denmark, Poland, Germany)
“La Vita in Comune,” Edoardo Winspeare (Italy)
CINEMA IN THE GARDEN
“Manuel,” Dario Albertini (Italy)
“Controfigura,” Ra Di Martino (Italy, France, Morocco, Switzerland)
“Woodstock,” Kate Mulleavy, Laura Mulleavy (U.S.)
“Nato A Casal Di Principe,” Bruno Oliviero (Italy, Spain)
“Suburra — The Series,” Michele Placido, Andrea Molaioli, Giuseppe Capotondi (Italy)
“Tuers,” Francois Truokens, Jean-Francois Hensgens (Belgium, France)
VENICE VIRTUAL REALITY
“Melita,” Nicolas Alcala (U.S.)
“La Camera Insabbiata,” Laurie Anderson, Huang Sin-Chien (U.S.)
“The Last Goodbye,” Gabo Arora (U.S.)
“My Name Is Peter Stillman,” Lysander Ashton, Leo Warner (U.K.)
“Alice, The Virtual Reality Play,” Mathias Chelebourg (France)
“Arden’s Wake Expanded,” Eugene YK Chung (U.S.)
“Greenland Melting,” Nonny De La Pena (U.S.)
“Bloodless,” Gina Kim (U.S.)
“Nothing Happens,” Uri Kranot, Michelle Kranot (Denmark, France)
“The Dream Collector,” Mi Li (China)
“Snatch VR Heist Experience,” Rafael Pavon, Nicolas Alcala (U.S.)
“Nefertiti,” Richard Mills, Kim-Leigh Pontin (U.K.)
“Proxima,” Mathieu Pradat (France)
“In The Pictures,” Qing Shao (China)
“Dispatch,” Edward Robles (U.S., U.K.)
“The Argos File,” Josema Roig (U.S.)
“Gomorra VR – We Own The Streets,” Enrico Roast (Italy)
“Draw Me Close, Chapters 1-2,” Jordan Tannahill (Canada, U.K.)
“The Deserted,” Tsai Ming-Liang (Taiwan)
“I Saw The Future,” Francois Vautier (France)
“Separate Silences,” David Wedel (Denmark)
“Free Whale,” Zhang Peibin (China)
